kvmalbum.blogg.se

Boy overboard by Peter Wells
Boy overboard by Peter Wells












Boy overboard by Peter Wells

, This claim is premised on Mignolo's conceptualisation of modernity and decoloniality whereby "Christian teleology" operates as a marker of Western universalism, pp. , Purnima Bose analyses the collusion of capitalism, the cosmetic industry and American feminism in coercing the purportedly oppressed women of Afghanistan into what she labels "imperial modernity, 2010. Quijano invokes eurocentred capitalism as the key vector of coloniality of power, which invariably involves "the racist model of universal social classification of the world population, vol. Stockton, The Queer Child, or, Growing Sideways in the Twentieth Century, 2009.Į. Sedgwick, Between Men: English Literature and Male Homosocial Desire, 1985. Saxey, Homoplot: The Coming-Out Story and Gay, Lesbian and Bisexual Identity, 2008.Į. Salgado, Writing Sri Lanka: Literature, Resistance and the Politics of Space, 2007.Į. , The Crisis of Postcolonial Modernity: Queer Adolescence in Shyam Selvadurai's Raj, Because Most People Marry their own Kind: A Reading of Shyam Selvadurai's Funny Boy, Ariel, vol. Quijano, Coloniality of Power, Eurocentrism, and Latin America, Nepantla: Views from the South, vol. Puar, Terrorist Assemblages: Homonationalism in Queer Times, 2007.Ī. , Queering Heterotropic Spaces: Shyam Selvadurai's Funny Boy and Peter Wells's Boy Overboard, Ways of Being Male: Representing Masculinities in Children's Literature and Film, pp. Morton, The Class Politics of Queer Theory, College English, vol. Mignolo, The Conceptual Triad: Modernity/Coloniality/Decoloniality, On Decoloniality: Concepts, Analytics, Praxis, pp. Love, Feeling Backward: Loss and the Politics of Queer History, 2007. Lo, Sexual/Textual Tendencies in Shyam Selvadurai's Funny Boy, Concentric: Literary and Cultural Studies, vol. Lesk, Ambivalence at the Site of Authority: Desire and Difference in Funny Boy, Canadian Literature, vol. Jazeel, Because Pigs Can Fly: Sexuality, Race and the Geography of Difference in Shyam Selvadurai's Funny Boy, Gender, Place and Culture, vol. Hennessy, Profit and Pleasure: Sexual Identities in Late Capitalism, 2000. Gopinath, Impossible Desires: Queer Diasporas and South Asian Public Cultures, 2005.

Boy overboard by Peter Wells

Gairola, Limp Wrists, Inflammatory Punches: Violence, Masculinity, and Queer Sexuality in Shyam Selvadurai's Funny Boy, South Asian History and Culture, vol. Dussel, Eurocentrism and Modernity, Boundary, vol.

Boy overboard by Peter Wells

Manalansan, Queer Globalizations: Citizenship and the Afterlife of Colonialism, 2002.Į. Bose, From Humanitarian Intervention to the Beautifying Mission: Afghan Women and Beauty Without Borders, Genders, vol. Banerjee, Queer Laughter: Shyam Selvadurai's Funny Boy and the Normative as Comic, Cheeky Fictions: Laughter and the Postcolonial, pp.














Boy overboard by Peter Wells